Categories
transfiguration video

Baby In Christ Vs. His Father

In June 2006 BabyInChrist, a Taiwanese teenager, living with an adoptive American Christian family posts the question to the online Christian forums: “Is World of Warcraft Evil ?” The Community helps him reckon with the moral and spiritual dilemmas of reconciling his life in World of Warcraft, with the strict edits of his father and the challenges of following his faith. As a synthetic fantasy world begins to encroach on the territory of established religion, the inner workings of faith, truth and the boundaries of reality begin to unravel and intertwine.

Categories
animation transfiguration

inside.v07

Two figures interface in a hypnotic digital loop. There is something erotic about their movements. Their rolling, hungry heads exceed corporeal limits suggesting a lover’s kiss—a computer-rendered vision of an image depicted in art for eons. And yet more than a kiss, the bodies hyperconnect in a permeation of the skin boundary that allows one to see inside the other. 

But are they really only lovers? Could they not also be twins or even clones? In many ways, we take the infinite replicability of the digital medium for granted. Copies, clones, replicas, and rip-offs multiply promiscuously in code. 

Casado’s “inside.v07” is testament to this, its virtual mirror line revealing that one head is identical to the other, yet each is also an original animation. The “inside” series was first displayed in 2002 at Picasso Foundation in Málaga, Spain, and Postmasters’ NYC Gallery in 2004. By revisiting Casado’s work in 2021, this piece asks how this dialectic of originality, the interplay of the new and the old, has changed in the intervening years.

The new NFT format is posited here as a tool for reanimation, considering afresh the questions of the past through the lens of contemporary technology, which in turn is interrogated by the art that preceded it.

Text by James Morales

NOTE:

1- The original QuickTime format of this file does not open in current QT version anymore, it does on older versions. The digital file to provide to the collector has been rendered in 2021 for conservation purposes.  

2- This artwork was originally created as an edition of 5. Edition 1/5 is owned by Contemporary Art Museum Gas Union Fenosa, A Coruña, Spain. Edition 2/5 is owned by a private art collector. This NFT is edition 3/5 and the only NFT edition.

3- For conservation purposes (ONLY), artist will provide to collector the 480 individual images/frames that make this animation. With these images, the animation can be recreated using any current software.

Categories
transfiguration video

Hugs on Tape (Flicker Dog/Marstall)

Hugs on Tape satisfies a visceral need for physical contact in the pandemic era. We wanted to distribute Hug Simulations that can share bursts of joy and intimacy. We sent a call out to friends and family requesting recordings of hugs with someone in their pod. The recordings captured tenderness and love among those spending more time than ever together, and a choreography of closeness inside the familiar frame of video, animation, and Zoom calls. The series is created with tools ranging from handmade audio/video synthesizers to smartphones and digital animation software. All the patterns and colors in Hugs on Tape are made exclusively with hardware, analog synthesizers and other analog instruments. Although some were found or borrowed, LoVid’s handmade synthesizers are the primary instruments used in LoVid recordings for over a decade.

Categories
digital image transfiguration

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